Conversions 21971


In Conversions II, the second in a trilogy of films interrogating the rigidity of gender binarism, the artist attempts to feminize his unquestionably male body by hiding his genitals between his legs. By casting his own masculinity into question, by performing its absence, Acconci problematizes the dictum that the male (or female) subject is a coherent being.

Released
1. 1. 1971
Runtime
44 min
Certification
NO
Country, language
EN